RATING: Directing Actors is unrated, but contains strong language and adult situations, which are necessary for the honesty and integrity of the course and cannot be removed. The course is intended to be viewed by adults 18 or older. 17-Volume Set as HD (1080p) and SD/Mobile (480p) DRM-Free MP4 Download in the H.264 format. Course, Works, Hollywood Camera Works, film, filmmaking, directing, directors, hollywood, camera, hollywood camera works. Hollywood Camera Works – Directing Actors Volume 1-11. Become an Actor's Director with the definitive training in working with Actors and crafting strong, deep performances. A Journey to a Mind-Set. Years in the making.
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Hollywood Camera Works – Directing Actors Volume 1-11
Become an Actor's Director with the definitive training in working with Actors and crafting strong, deep performances.
A Journey to a Mind-Set
Years in the making, Directing Actors is the most comprehensive acting and directing training in the world. Created by Per Holmes, the course teaches a better way to be a Director, by having extremely strong technique, and the right philosophy and personality on the set.
Through over a thousand examples, we cover literally every acting and directing technique, every interaction between Actor and Director, and we cast, rehearse and shoot 9 scenes.
Directing Actors is the result of Per Holmes' personal obsession with resolving once and for all the best way to work with Actors. Every known technique has been tested, and the results are surprising, sometimes shocking.
Directing Actors has involved almost 150 people through 7 years of development and 5 years of shooting and editing, including over 50 Actors who have gracefully allowed us to show the process without any filters.
VOLUME 1: NATURAL ACTING
On the first volume, which you can watch in its entirety here, we lay the philosophical groundwork by understanding which part of the character actually comes from the acting. We talk about how not seeing the story character and not accepting yourself as you are results in pushy acting.
VOLUME 2-8: ACTIVE IDEAS
Active Ideas are the thoughts that produce behavior. What we're looking for is simple thoughts that are easy to think, but that produce complex behavior that runs effortlessly by itself.
There are certain categories of thoughts at the heart of every good acting technique. On Volume 2-8, we not only map every every Active Idea that's known to work, we add a new level of understanding, and we re-evaluate many myths, for example that result directing is bad or that active verbs are good, which is not that simple.
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VOLUME 9-10: CASTING
It's really true that if you cast someone right, most of your work is already done. Directing Actors takes you through a full casting process, where you learn how to find out if someone is right for the part, whether they can really act, what positive and negative signs to look for, and how to direct during the audition so you get real data.
We're also interested in how to run the casting session, and how to create an environment that encourages Actors to reveal their talents. We discuss everything from how to arrange the casting space, to how to videotape it, going through callbacks, ending in test-pairings of potential leads.
Whether you're a Director or an Actor, sitting in on a casting is an enlightening, but also emotionally painful process.
VOLUME 11: REHEARSAL
The next two volumes are part of a Directing Workflow from rehearsal through shooting, in super slow-motion so we can analyze everything. Starting with rehearsal, this is something many people skip, thinking it'll make the characters more spontaneous.
But not rehearsing makes the characters hollow and empty, you'll have no toolbox or common language on the set, and the acting won't be ready for prime time.
Get Directing Actors Volume 1-11 or the other courses from the same one of these categories: Course, Works, Hollywood Camera Works, film, filmmaking, directing, directors, hollywood, camera, hollywood camera works for free on Cloud Share Network.
MicroFilmmaker Review
Review by Manuel Crosby
Read the review at MicroFilmmaker Magazine
Hollywood Camera Work - Directing Actors Training Review
The relationship between a film director and their actors will make or break the final movie. Despite beautiful cinematography or excellent sound design, the performances will ultimately control the believability of the characters in any story.
As the director, one must guide and encourage the actors to deliver work that feels real, even though the film around them is artificially constructed. So how should a director approach this task? In the first volume of his video course, Directing Actors, Per Holmes breaks down a very thorough approach to communicating with actors, building characters, and bringing out the best performances possible.
Comprehension
This video series contains extremely dense material, but fortunately Holmes breaks it down into manageable segments. The total course will eventually span two volumes and a total of 17 segments, with each segment around 1.5 hours in length. This allows the viewer to take their time watching each of the lessons without being overwhelmed.
This review deals with Volume I, which includes parts 1 – 8.
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Holmes begins by laying out the structure of the course, so that viewers know what to expect. Then, he tackles each layer of directing performances in actors, starting with the least complex and slowly diving into the more difficult concepts. This step-by-step approach aids in understanding.
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Additionally, visual aids help to demonstrate the techniques in action, making it simpler to grasp their use in real-world situations. First, Holmes details the concepts he teaches in the videos with color-coded, animated graphics. Then, he dives into his practical use of the techniques by showing behind-the-scenes videos of his real-life film shoots.
With this series, viewers get the unique experience of seeing the directing process from an inside perspectiveDirector Per Holmes works with his actors between takes while shooting an interrogation scene
In his video series, Holmes walks us through a wide variety of methods for communicating with actorsWe get detailed looks at the cast members as they rehearse…
… And, we get to see the finished result in completed scenes from the film
Depth of Information
This video series covers an incredible depth of information. We’re currently reviewing Volume I (which consists of parts 1-8). In this first half, Holmes walks viewers through virtually every directing technique available for working with actors. He also explores the reasons and psychology behind the techniques. Furthermore, he dives into acting methodology so that directors can better understand where their performers are coming from. He also explains scenarios where the techniques may not work, or can be overused.
(According to the course layout, future videos 9-17 will take viewers through an entire production experience alongside Holmes as he directs, from the casting process through shooting.)
Throughout these videos, Holmes includes comprehensive footage of himself on the set or in rehearsal, using the techniques he outlines. Viewers see him give a specific direction to an actor, and then study the result in the finished take. He also shows the ongoing discussions with the actors about the choices they make for the characters. The fly-on-the-wall approach taken in these videos provides an extremely good insight into how and why the techniques are used.
Interest Level
Anyone driven to improve their directing will find this training series very interesting. While it covers a lot of length, Holmes designed the course to be watched at a slow, steady pace. Plus, the clean visuals and production values of all of the footage, as well as the inclusion of clips from a finished narrative film, help keep the interest level quite high. Additionally, moments of intentional “bad directing” examples provide humor and entertainment, as well as education on what not to do.
Reusability
This course currently has (and will have even more once completed) an excellent re-watch value because of its content, and also the nature of the craft it teaches. Directing is such a complex task that no single approach will work every time. Having a video series to refer back to between projects will greatly aid anyone trying to solve a particular directing problem or even just to refresh their knowledge.
Value vs. Cost
At $429 for half of the series, or just over $600 for all 17 parts, the price may be higher than some of our film budgets. However, these videos are nearly equivalent to a college course in directing, and cost far less than tuition. Viewers will get an astounding amount of depth in this video series.
While a downside is that you do not receive any direct criticism from a professor or classroom peers, it is counterbalanced by the advantage that the videos can be kept and reused. So long as the same high quality persists in the next volume, I feel that buyers will receive the best value by buying all 17 videos for the discounted price, which is 30% off of the total.
Ultimately, one’s value judgement will come from whether the techniques presented here work for them. Holmes believes that he has outlined all existing directing methods in his series. In the end, it will be up to each individual to choose what works for them and their actors as they build performances. However, having an extensive tool kit to choose from is essential when directing, and I feel Holmes has a good chance of providing that with his series.
Overall Comment
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The first volume of Directing Actors provides a rich education on the craft of directing, as well as the opportunity to observe another director in action. Holmes and his team have created a valuable resource for all directors, from the beginner to the veteran looking to refine their skills.
With its reasonable price, especially when purchasing the entire series, this course should serve as an excellent tool for a filmmaker’s growth.